The Music of the Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores, alongside a live-to-picture performance of The Return of the King at Royal Albert Hall. The American release will take place in under two weeks, to roughly coincide with a similar performance of The Two Towers at New York City's Radio City Music Hall on October 8 & 9.
I've been lucky over the years to count Doug as a friend and cohort (we both got started in this field writing for Film Score Monthly). And as a fellow Mid-westerner, I've been especially privileged to spend time in Doug's studio, bearing witness to how he's labored over this book, the accompanying "Rarities Archive" CD, and associated projects like the Lord of the Rings: The Complete Recordings box sets. It's been a fascinating, intense, time-consuming, insanely detailed labor of love, and the final product -- even now reaching the hands of fans -- is incredible. If you are reading this blog, there's a better-than-average chance you are a fan of great film music, and of Howard Shore and The Lord of the Rings in particular. But even if you aren't, if you have even a passing interest in the music of the movies (or music writing in general), I urge you to check out this book. Nothing like it has ever been published before. Take a hefty dose of insight and analysis, deep enough to satisfy the academic mind, but accessible enough for the average reader and listener. Combine that with the subject matter: one of the greatest and most intricate works of film music of all time, written for one of the greatest tales of all time (I'm a Tolkien nut, as my bookcase devoted to him will attest). Combine THAT with a compelling narrative style that embraces the entirety of the creative journey. Add an accompanying CD of extraordinarily beautiful music that mirrors and illuminates said journey. Take in the brilliant production design by Gary Day-Ellison that incorporates a wealth of black-and-white artwork from fantasy masters John Howe and Alan Lee, as well as gorgeous film stills, copious printed music examples, original manuscript pages, and the complete choral texts. Then marvel at the amazingly reasonable price (around $40 at some online stores). Call me biased, if you will ... but I really don't see how you can go wrong here!
And if you happen to be in New York City during October 7-9, and plan on attending one of the concerts or related events, maybe I'll see you there! You can pop in on Doug's blog for all the details.